
🧭May 23, 2025, Post 3: INSV Kaundinya – Stitching the Wind, Sailing the Past | High Quality Mains Essay | Prelims MCQs
⛵ May 23, Post 003: INSV Kaundinya – Stitching the Wind, Sailing the Past

NATIONAL HERO — POST 003
Post Date: May 23, 2025
Thematic Focus: GS1/History & Culture, GS3/Defence, GS2/International Relations
🪶 Opening Whisper
In the sinew of coir and the silence of the sea, a memory awakens — Kaundinya sails again, not in conquest, but in homage.
🌊 Key Highlights
- INSV Kaundinya Launched: By the Indian Navy at Karwar Naval Base, modeled on 5th-century Ajanta art.
- Historical Tribute: Named after Kaundinya, the first named Indian mariner to reach Southeast Asia and establish the Funan kingdom.
- Traditional Construction:
- Built using ancient stitching techniques
- Materials: Coconut fibre, coir rope, and natural resin
- Crafted by artisans from Kerala
🛠️ Cultural Design Elements
- Sails: Feature the Gandabherunda — a two-headed mythical bird from the Kadamba dynasty
- Bow: Sculpted Simha Yali, an Indian lion-dragon hybrid
- Deck: Adorned with Harappan-style stone anchor
- Structure: Main mast, mizzen mast, and bowsprit mast – square sails only
🧭 Sailing Style & Challenges
- Sail Type: Square sails, unlike modern triangular ones
- No rudder: Navigation by steering oars
- Wind-dependent: Requires revival of ancient maritime navigation skills
🌐 Voyage and Significance
- Planned voyage to Oman via ancient sea routes
- Aims to symbolically reconnect India’s maritime past with present diplomacy
- Joint effort by Indian Navy, Ministry of Culture, and Hodi Innovations
📚 GS Paper Mapping
- GS Paper 1: Culture – Indian maritime history and art
- GS Paper 2: International Relations – Maritime diplomacy with Indian Ocean nations
- GS Paper 3: Defence & Technology – Naval heritage and indigenous shipbuilding
🌌 A Thought Spark — by IAS Monk
A stitched ship carries no warheads, only whispers — of oceans remembered, winds re-tamed, and destinies re-sailed.
High Quality Mains Essay For Practice :
Word Limit 1000-1200
Reviving the Ocean’s Memory: INSV Kaundinya and India’s Maritime Renaissance
Introduction
Maritime history is not just a record of naval battles and trade routes — it is a tale of cultural diffusion, technological mastery, and ocean-borne courage. For millennia, the Indian Ocean was not a void between lands but a bridge connecting civilizations. India’s ancient mariners, driven by trade, diplomacy, and spiritual outreach, once steered stitched ships through monsoon winds across Southeast Asia, East Africa, and the Arabian Gulf.
The launch of INSV Kaundinya by the Indian Navy at Karwar Naval Base in May 2025 marks a poetic return to that seafaring past. Named after the legendary Indian mariner Kaundinya, this stitched vessel is not just a tribute to maritime heritage, but also a living artifact — a ship that sails backward through time, stitching together culture, craftsmanship, and ocean diplomacy.
The Legacy of Kaundinya
The legend of Kaundinya is sourced from the intertwining histories of India and Southeast Asia. As per Cambodian and Vietnamese records, Kaundinya was a Brahmin or Kshatriya who sailed across the Bay of Bengal and reached the Mekong Delta over 2,000 years ago. There, he married a local Naga princess and established the kingdom of Funan, the first known Indianized polity in Southeast Asia.
This narrative, found in stone inscriptions and Chinese annals, reflects the peaceful and cultural expansion of Indian influence. Sanskrit inscriptions, Hindu-Buddhist cosmology, temple architecture, and Indian scripts soon became embedded in Southeast Asian societies. Kaundinya’s voyage is not about conquest but connectivity — a maritime thread in the vast fabric of civilizational exchange.
Design Inspired by Ajanta – A Journey into Craftsmanship
The design of INSV Kaundinya is drawn from a 5th-century painting in the Ajanta Caves, showcasing Indian ships with stitched hulls and squared sails. These visual records, supplemented by literary references in the Periplus of the Erythraean Sea, Sangam poetry, and Kautilya’s Arthashastra, confirm the sophistication of India’s ancient naval tradition.
INSV Kaundinya is built using the age-old technique of stitching planks, instead of using nails or metal fasteners. This traditional method, once dominant in Kerala and the Malabar coast, binds wooden planks together using coir rope made from coconut fibre, sealed with natural resins and oils. Such ships had the flexibility to endure rough monsoon waves without breaking.
A team of artisans from Kerala and the shipbuilders of Hodi Innovations crafted this vessel under guidance from the Navy and the Ministry of Culture. The project stands as a resurgence of traditional craftsmanship — an endangered knowledge system now brought afloat once again.
Symbolism and Design Features
Every part of INSV Kaundinya is drenched in symbolic detail:
- Sails with Gandabherunda Motif: The sails bear the emblem of the Kadamba dynasty, a mythical two-headed eagle representing strength and revival. It ties the ship’s identity to the cultural memory of Karnataka’s maritime powers.
- Simha Yali Figurehead: The bow features a Simha Yali — a lion-dragon hybrid rooted in Indian iconography, used traditionally to ward off evil at sea.
- Harappan-style Stone Anchor: The inclusion of a Harappan anchor nods to the maritime prowess of the Indus Valley Civilization, reminding us that India’s engagement with sea trade predates even the Vedas.
- Square Sails and Three Masts: The ship includes a main mast, mizzen mast, and bowsprit mast, all using square sails, which differ from modern triangular sails and rely entirely on traditional navigation.
- Absence of Rudder: Without a modern rudder, steering oars are used, demanding relearning of ancient methods to harness monsoon wind directions and manage turning radii.
Sailing the Past to Reconnect the Present
INSV Kaundinya is not meant to remain docked as a museum piece. It is scheduled to sail to Oman, retracing ancient maritime trade routes that once connected Indian ports like Sopara, Muziris, and Lothal with Arabian and East African coasts.
This voyage serves multiple purposes:
- Cultural Diplomacy: It reaffirms India’s soft power in the Indian Ocean Region (IOR).
- Historical Reconnection: By reviving routes that predate colonial powers, India asserts its role as a historical maritime civilizer.
- Craft Revival: It gives recognition to indigenous artisans and coastal communities, placing their skills on a national platform.
- Youth Engagement: The initiative inspires younger generations to value maritime history, not merely as nostalgia, but as a resource for identity and innovation.
Historical Context: A Forgotten Seafaring Giant
India’s maritime legacy is ancient but often forgotten. From the Chola expeditions to Southeast Asia, the Buddhist monks traveling by sea to Java, to the Gujarati traders sailing to Zanzibar, India was once an oceanic civilization. The shipbuilding skills of Bengal, Konkan, and Malabar were known to Arab and Chinese merchants.
Yet colonial historiography downplayed this tradition, portraying India as a landlocked, passive subject of maritime forces. Initiatives like INSV Kaundinya challenge this false narrative and restore rightful pride in India’s oceanic past.
Contemporary Relevance: Why It Matters Today
In an age of maritime militarization and Indo-Pacific geopolitics, the cultural message of INSV Kaundinya complements strategic imperatives:
- Act East Policy: The vessel becomes a symbolic envoy of India’s eastward engagement, linking historical and modern diplomacy.
- Maritime Security: Cultural sea voyages help project civilizational continuity alongside naval presence, an effective blend of hard and soft power.
- Indigenous Capability: Revival of traditional technologies aligns with the ‘Aatmanirbhar Bharat’ (Self-reliant India) initiative, proving that innovation need not always mean modernity — it can also mean meaningful restoration.
- Climate and Sustainability: Using natural materials, wind power, and non-industrial fabrication, INSV Kaundinya represents eco-sensitive seafaring, resonating with today’s calls for sustainable innovation.
Challenges and Limitations
While the project is laudable, several challenges remain:
- Skill Preservation: Traditional shipbuilding is a dying craft, limited to a few artisans. Unless supported systematically, this knowledge may vanish again.
- Weather Adaptability: The stitched ship lacks modern stability mechanisms, making it vulnerable in unpredictable weather.
- Documentation and Curriculum Integration: Maritime history is still underrepresented in school and university curricula, limiting public awareness.
- Limited Scale: One ship is a symbolic beginning; a fleet or cultural flotilla program could amplify impact across India’s coastline.
Conclusion: Sailing the Soul of a Civilization
INSV Kaundinya is not merely a ship. It is a floating manuscript, a revival of India’s relationship with the ocean. It invites the nation to look not only at the borders that define our land, but also at the waves that once carried our ideas, art, and empathy far beyond the peninsula.
As this stitched vessel sets sail toward Oman — guided by wind, stars, and ancient wisdom — it reminds us that the future of Indian diplomacy and innovation may well lie in the ocean’s past. Let the sea not just be a site of security and commerce, but a place of memory, myth, and maritime spirit.
Quote to End:
“A civilization that forgets the sea forgets how to move forward. But a nation that stitches the past into its sails finds the wind waiting.”
Target IAS-26: Daily MCQs :
📌 Prelims Practice MCQs
Topic:
MCQ 1 – Type 1: How many of the above statements are correct?
Consider the following statements regarding INSV Kaundinya:
1. The vessel was constructed using modern shipbuilding materials like fiberglass and steel.
2. It features cultural symbols such as the Gandabherunda and Simha Yali.
3. The ship was launched by the Indian Navy at the Karwar Naval Base.
4. INSV Kaundinya uses rudders and triangular sails for navigation.
How many of the above statements are correct?
A) Only one
B) Only two
C) Only three
D) All four
🌀 Didn’t get it? Click here (▸) for the Correct Answer & Explanation
✅ Correct Answer: B) Only two
🧠 Explanation:
1) ❌ False – It was constructed using traditional materials like coir, wood, and resin.
2) ✅ True – It features Gandabherunda and Simha Yali motifs.
3) ✅ True – The launch took place at Karwar Naval Base.
4) ❌ False – It uses square sails and steering oars, not modern rudders.
MCQ 2 – Type 2: Two-Statement Type
Consider the following two statements:
1. The construction technique of INSV Kaundinya is inspired by a depiction found in the Ajanta Caves.
2. The ship’s upcoming voyage is meant to replicate colonial naval routes.
Which of the above statements is/are correct?
A) Only 1 is correct
B) Only 2 is correct
C) Both are correct
D) Neither is correct
🌀 Didn’t get it? Click here (▸) for the Correct Answer & Explanation
✅ Correct Answer: A) Only 1 is correct
🧠 Explanation:
1) ✅ True – The ship’s design is based on a 5th-century Ajanta depiction.
2) ❌ False – The voyage aims to retrace ancient maritime trade routes, not colonial ones.
MCQ 3 – Type 3: Which are correct? (Code-Based Selection)
Which of the following statements about INSV Kaundinya are correct?
1. The ship is built using ancient stitching techniques with coir and resin.
2. It is equipped with advanced GPS systems for automatic navigation.
3. The vessel will sail to Oman as part of a heritage mission.
4. The Harappan-style stone anchor is one of its notable features.
Select the correct code:
A) 1, 2 and 3 only
B) 2, 3 and 4 only
C) 1, 3 and 4 only
D) 1, 2, 3 and 4
🌀 Didn’t get it? Click here (▸) for the Correct Answer & Explanation
✅ Correct Answer: A) 2, 3, and 4 only
🧠 Explanation:
1) ✅ True – Built with coir stitching and resin, reviving ancient methods.
2) ❌ False – It relies on traditional navigation without modern tech.
3) ✅ True – The voyage to Oman is planned along ancient trade routes.
4)✅ True – A Harappan-style anchor is part of its cultural symbolism.
MCQ 4 – Type 4: Direct Factual
INSV Kaundinya is named after which of the following historical figures?
A) A Chola naval commander
B) A Harappan trader
C) An ancient Indian mariner linked to the Funan Kingdom
D) A Buddhist monk from Nalanda
🌀 Didn’t get it? Click here (▸) for the Correct Answer & Explanation.
✅ Correct Answer: C) An ancient Indian mariner linked to the Funan Kingdom
🧠 Explanation:
C) An ancient Indian mariner linked to the Funan Kingdom
Kaundinya is historically associated with early Indian maritime expansion to Southeast Asia, credited with founding the Funan Kingdom around 1st century CE.